MISS AL SIMPSON PRINTS
DOPAMINE
A Post-Human Film by Miss AL Simpson
The labs built them perfect. Beautiful. Efficient. Dead inside.
Now the Post-Humans are burning through the city on stolen legs and custom mods, chasing a feeling they were never coded to feel.
DOPAMINE is a 4-minute AI video trip — a glitch-high collision of digital noir and chemical rebellion.
Dog Runners, Neural Heist girls, and Dopa Syndicate men in suits too sharp to bleed.
Everyone’s running.
Not for power.
For a hit.
First in the Summer of Highs series.
MISS AL SIMPSON PRINTS
DIGITAL ID
Who owns your face when the camera never blinks?
DIGITAL ID is a collection that reimagines fashion under the gaze of the surveillance state. These portraits are not simply images — they are scans, captures, and glitches. Women rendered as couture avatars, dressed for an algorithm that never sleeps.
Each piece fuses editorial beauty with the cold precision of digital recognition: metallic sheens, fractured geometries, faces torn between glamour and control. These aren’t just portraits; they are warnings — icons of a future where identity is currency, and beauty is data.
DIGITAL ID doesn’t celebrate the machine. It stares right back at it.
MISS AL SIMPSON PRINTS
THE DOPA SYNDICATE
LIMITED EDITION PRINTS
Decoded from the glitchlines of Miss AL Simpson’s AI video artwork DOPAMINE, these prints aren’t just portraits — they’re encrypted identities.
Each character belongs to an underworld of neurochemical glamour and post-human control — syndicate agents engineered for the black market of emotion.
Lupo Nero. Viola Chrome. Bowtie Jack. Voltage Rosso. Every one of them is printed with surgical precision, framed in the tension between fashion, memory, and data bleed.
Each print is:
— Edition of 50
— Signed, numbered, and hand-verified
— A2 size on Hahnemühle Archival Paper
— AR-embedded — scan them, and they move. Alive. Watching.
This is not merchandise.
This is post-capitalist fine art, straight from the dopamine underworld.
Collect at your own risk.
